- JEK New York
- Apr 26
- 1 min read
When I first read the article in the NY Times in November 2024 about Tong Yang Tze's upcoming calligraphy installation in the Great Hall of The Met, I was eager to see it and saved the article.
I'm a huge fan of calligraphy and the preservation of craft.
The artist's message: freedom.
There's no more fitting time to study, examine, and hope for the preservation of freedom, something I never thought I'd have to consider in my lifetime.
From November onward, I kept telling myself I would go. Weekend after weekend, however, the work on relaunching and redesigning JEK New York, along with the change in administration affecting my daily job, kept interfering.
Knowing the exhibit would close on April 8, 2025, I finally went the weekend before it ended. It wasn't what I expected—I anticipated more.
There were two artworks in the Great Hall, which is just the entrance and nothing more. There were signs with information about the work, but I would have appreciated a full scale exhibit.
Still, I'm glad I went.
It's going to take time to get into the cadence of blog postings, and right now, it's about getting the hang of it!